Michaël Mazzoni is director of strategic marketing for BNP Paribas Corporate and Institutional Banking (CIB), a BNP Paribas subsidiary that offers financial solutions to its business and institutional clients. His mission: to oversee a transformation in communication via a strategy centred on content. He is the ideal person to help us better understand the inherent challenges linked to branded content when dealing with clients representing large accounts.
Why did you choose to convert BNP Paribas CIB's institutional website into a content hub back in May 2016?
Michaël Mazzoni: Two years ago BNP
Paribas CIB put in place a new organisational structure and a new strategy. A
certain number of content distribution channels still existed and we wanted to
prioritise the website: it had to be at the heart of our strategy and it had to
be a place where we could house all of our content. There was an urgent need to
break into new territory and to oversee an evolution in the website, which was
characterized by a certain form of passive and institutional communication. We
wanted it to be a shop window that we would be able to capitalize on thanks to
a communicative approach focused on our clients and their strategic challenges.
To bring about this change we need tools that would get our partners, the
management and our clients on board. This type of evolution involves
transforming the organizational structure. Instead of a system centred on
distribution channels, we needed one that would place content at the heart of
What impact did this have on your organisation model?
M.M.: It was an easy transition because we had a
clear strategy. What's more, our focus on the brand fully supported this
change. But identifying the messages we wanted to transmit to our clients was
more complicated. This moment also coincided with a period of far-reaching
change within BNP Paribas CIB, under the initiative of the new management team.
Our way of communicating had to reflect our business strategy and there had to
be internal support for the approach. We therefore spent a lot of time explaining
the approach, working closely with different business units and with the
marketing and communication teams. A change like this means a change of spirit;
it entails seeking out new skill domains and identifying new profiles: content
managers and community managers for example, working in close collaboration
with the different business units. To sum up, it involves working closely with
those who understand the reality of our clients.
«Our way of communicating had to reflect our business strategy and there had to be internal support for the approach. We therefore spent a lot of time explaining this approach, working closely with different business units and with the marketing and communication teams»
How does branded content impact the communication sector?
M.M.: For large companies, content constitutes a
fundamental change when it comes to communication and marketing. Conventional
communication departments, which face major changes in this context, have to
merge more with marketing departments. With this comes a change in the mindset:
the communicator is no longer just an institutional stakeholder. It's no longer
about simply buying advertising space: communication is no longer static but
based on commitments, data monitoring and, consequently, results. This
transformation is unavoidable. At BNP Paribas we have proven that we can bring
about radical change in less than two years, but this is just the first phase.
The next objective, in the short term, is to put content at the heart of the
organizational model and to manage the ecosystem in a more unified way, with
content management feeding the different distribution channels. The message is
at the centre of it all: it's the key.
pages viewed on the hub since its launch in April 2016 and 900,000 videos
viewed on social networks
What is the main objective of your content?
M.M.: It must go hand in hand with both the
strategic vision that BNP Paribas CIB wants to transmit and a focus on the concerns
and challenges of our clients. The right balance needs to be found between the
two, but showing our ability to understand and support our clients is key. It's
better to have 30 clients who are very interested in a particular type of
content than 500 who aren't: the number of clients is not the most important
aspect. To achieve this balance the content must be concrete and well-targeted,
and we need to be highly agile with the format. The content must specifically
target its audience in order to fulfil the expectations of specific clients as
much as possible. We should never lose sight of the fact that the main function
of branded content is to help bankers on the ground forge stronger
relationships with their clients and support them fully.
How do you choose your partners and your media platforms?
M.M.: We are fortunate to be a large and
sought-after bank and our strategy provoked a lot of interest from the moment
it was launched. Some partners did not initially understand our new
"introspective" approach. We wanted to be capable of producing content that was
created two-thirds "organically" and one-third through our partnership with
media agencies, notably for large international campaigns. We have to be
capable of becoming more professional with our content production without
necessarily wanting to become a content production company. A year ago, some
media channels had still not understood the changes taking place in large
corporations. Sometimes we had to explain them: a brand which is putting in
place a content creation strategy needs media partners who are up to the task,
partners capable of understanding our strategy, supporting us in finding the
right target audience and generating client commitment. We absolutely need
personalized formats and not purely generic ones.
Does this mean you have become a publisher?
M.M.: If media channels and agencies
fail to take note of our expectations and the way we want to proceed then there
is a risk that we will move into that territory. The media world has both
expertise and vision that is attractive to advertisers. Through becoming content
producers and by capitalizing on our knowledge of what happens on the ground,
we have kind of become publishers but have no intention of becoming
Discover the BNP Paribas Corporate & Institutional Banking hub at
We simply want to achieve better targeting and better
communication with regards to our clients. The experience we have accumulated
has enabled us, for now, to create a win-win situation. The challenge today is
also linked to the very special relationship we have to create with large
social media platforms, which have an ever-increasing influence.
What strategy are you developing with social networks?
M.M.: It will evolve this year because we want
to achieve continuous communication so as to guarantee our presence in two key
areas: digital transformation and sustainable development. We therefore need to
carry out actions that make an impact that lasts. Social networks enable this
continuous presence at a low cost and with a high level of targeting. Adapted
formats can reap immediate rewards in terms of responsiveness and commitment.
This sometimes means reserving certain types of content for social networks
only. For example, we have put in place new one-minute vertical communication
video formats: they are dynamic and are designed to be seen via mobile phone
and on social networks.
HIS LIFE PHILOSOPHY
Who is your guru?
The British businessman Richard Branson
What is your mantra?
Be resilient and move forward.
How do you balance your chakras?
By watering my plants.
How do you measure the effectiveness of your initiatives?
M.M.: We have equipped ourselves
with monitoring tools capable of guaranteeing that we use our budget in the
best possible way and that we focus in particular on digital solutions. Every
company needs to find key performance indicators (KPIs) that can inform them
about client commitment. Obtaining highly impressive scores is important for
the reputation and image of a large advertising company, but if we want to
measure impact, commitment and business activities, KPIs linked to clients'
backgrounds are necessary. Over time we need to fine-tune these indicators and
be able to explain them to the management.
How does this strategy fit in with the notion of brand awareness?
M.M.: It is fundamental and complementary to the
approach linked to the hub. Two years ago brand awareness – the way clients
perceive our brand – and reputation were at the heart of our media and
marketing communication strategies. This year, our aim is to make branded
content the focus of our communication. Work on our reputation, however,
remains an important focus in Asia and America, in order to support the brand.
In any case, I don't think that we can play the branded content card without
paying at least some attention to brand reputation and the brand's global
positioning. We therefore need to be dynamic and able to adapt depending on our
needs, without losing sight of what's happening on the ground.
Michaël Mazzoni, Strategic Marketing Director for BNP Paribas CIB
Michaël Mazzoni has been working in finance for 20 years. Strategic marketing director for BNP Paribas Corporate and Institutional Banking since 2014, he is in charge of large-scale international campaigns and content strategy for this BNP Paribas subsidiary. He oversees branded content operations, notably aspects linked to client messaging. He previously held a variety of marketing positions after having been a banker in charge of large corporate clients.
Why is B2B marketing so flat and lacking in creativity? That was the question we asked Jon Lombardo, Global Lead at the LinkedIn B2B Institute. We chatted about how to resuscitate...
Why is B2B marketing so flat and lacking in creativity? That was the question we asked Jon Lombardo, Global Lead at the LinkedIn B2B Institute. We chatted about how to resuscitate B2B marketing, how to put creativity back into the heart of content, which brands are succeeding and why it's so important not to fear failure.
How do you communicate amid the ongoing Covid-19 pandemic when you're a large multinational such as Renault? What impact has the crisis had on the communications approach?...
How do you communicate amid the ongoing Covid-19 pandemic when you're a large multinational such as Renault? What impact has the crisis had on the communications approach? What channels do you favour to connect with a young audience that wants "snackable content"? These are the questions we asked Emmanuel Guinot, Head of Campaigns, Content
The Reuters Institute for the Study of Journalism has published its annual Digital News Report and the good news is that 44% of respondents believe they trust the media,...
The Reuters Institute for the Study of Journalism has published its annual Digital News Report and the good news is that 44% of respondents believe they trust the media, six points more than last year. Based on a panel of 46 countries, the 164-page study examines the relationship between the media and consumers. We discussed the main points of the Digital News Report with two of the study's authors: Rasmus Nielsen, Director of the Reuters Institute and Nic Newman, Senior Research Associate at the Reuters Institute.
According to Forbes, it's "the most original media experience of the year." Led by Casey Newton, eight freelance tech journalists have launched their own virtual newsroom on Discord...
According to Forbes, it's "the most original media experience of the year." Led by Casey Newton, eight freelance tech journalists have launched their own virtual newsroom on Discord, an audio-based platform popular with gamers, whose use has diversified with the pandemic. Entitled Sidechannel, the Discord server is an embryonic newsroom. On the app, subscribers can chat with each other, attend live exclusive interviews. This improved Slack was launched in parallel with the paid newsletters of each of the creators. Ryan Broderick, a journalist specializing in web culture and the head of Sidechannel, talks to us about the origin of the project.
Every single one of their investigations is a sensation. The New York Times' Visual Investigations team specializes in fact-checking using open source data available on the Web...
Every single one of their investigations is a sensation. The New York Times' Visual Investigations team specializes in fact-checking using open source data available on the Web. Created in 2017, the team has already won a Pulitzer Prize in 2020. Malachy Brown, Senior Producer of Visual Investigations at the NYT, gave Story Jungle a behind-the-scenes glimpse of how their investigations are put together and some good advice for anyone keen to get into visual investigations themselves.
Today, 37% of B2B decision-makers have already bought a product or service after finding out about it through content on social media. In three out of four cases,...
Today, 37% of B2B decision-makers have already bought a product or service after finding out about it through content on social media. In three out of four cases, the person wasn't in contact with the company before seeing the content. This is just one of the findings of the third edition of the Social Selling Barometer published in July. The study, which involved surveying 650 B2B professionals in France between February and March 2020, was carried out by La Poste Solutions Business and the agency Intuiti's UserLab.
Story Jungle discussed social selling in the digital era with one of the Barometer's contributors: Franck Chenet of Antalis.
"The news in a basic, simple form, and with music". Since 15 June 2020, Le Monde newspaper has been active on TikTok, the most downloaded application of 2019,...
"The news in a basic, simple form, and with music". Since 15 June 2020, Le Monde newspaper has been active on TikTok, the most downloaded application of 2019, with informative and fun videos. It's a channel that is being used to reach a new audience, Generation Z, who often don't know this venerable daily newspaper.
Brands have been positioning themselves behind the Black Lives Matter movement for days now. Many of them participated in "Blackout Tuesday" by blacking out their social media...
Brands have been positioning themselves behind the Black Lives Matter movement for days now. Many of them participated in "Blackout Tuesday" by blacking out their social media account pages with black squares in a sign of solidarity with the protesters. Sincerity or opportunism? Stéphanie Laporte, Director of social media agency OTTA, shares her views.